We usually associate Rosh Hashanah and Yom Kippur with judgment and fear, but a closer look at the texts reveals a completely different, shocking command: rejoice.
Wake up. Shake off the dust. Put on your finest clothes—and rejoice!
The haftarah for Parshat Shoftim delivers an urgent wake-up call to a defeated and demoralized people: Hit’oreri, hit’oreri—Awaken, awaken! Uri, uri—Wake up, wake up! Isaiah calls upon Zion to rise from the dust, cast off the identity of a captive, dress herself in garments of splendor, and reclaim her place as God’s beloved.
Centuries later, the sixteenth-century mystic Shlomo Alkabetz wove Isaiah’s words into Lecha Dodi. What began as a prophecy of national redemption became the joyous wedding song with which Jews welcome the Sabbath bride every Friday night—culminating in Bo’i V’shalom, which one siddur instructs us to sing b’simcha atzumah ad me’od: with exceedingly great joy.
But Geoffrey Stern and Rabbi Adam Mintz take this familiar connection one surprising step further. Isaiah’s call to awaken, change our clothes, and celebrate the proclamation Malach Elohayich—“Your God reigns!” also leads directly into Rosh Hashanah and Yom Kippur.
We usually associate the High Holidays with judgment, trembling, and fear. Yet Nehemiah tells a weeping people on Rosh Hashanah: “Do not mourn… eat, drink, and rejoice, for the joy of God is your strength.” The Mishnah goes even further, declaring Yom Kippur one of Israel’s two most joyous days.
Could the joy of welcoming the Sabbath bride provide a new way to experience the High Holidays? Could God’s judgment give us not only fear, but also the confidence that we are loved, forgiven, and capable of beginning again?
Join us as we follow Isaiah’s imagery of dust, clothing, marriage, consolation, and divine kingship into Lecha Dodi, Unetaneh Tokef, Rosh Hashanah, and Yom Kippur—and discover a Jewish wake-up call that invites us not simply to rise, but to dance.
Key Takeaways
- Consolation demands action – Isaiah does not tell Zion simply to feel better. He commands her to awaken, shake off the dust, change her clothes, and reclaim her identity.
- Lecha Dodi turns prophecy into practice – Every Friday night, Isaiah’s distant promise of redemption becomes a present experience: we welcome the Sabbath bride with “exceedingly great joy” and rehearse the possibility of beginning again.
- The High Holidays are not only about fear – Nehemiah commands the people to rejoice on Rosh Hashanah, while the Mishnah calls Yom Kippur one of Israel’s most joyous days. God’s kingship brings awe—but also confidence, consolation, and radical delight.
Timestamps
[00:00] Wake Up Call
[01:08] From Shabbat to High Holidays
[01:30] Welcome to Madlik
[02:22] Haftarah Calendar Context
[04:34] Isaiah Readings
[10:07] Repetition and Urgency
[15:07] Lecha Dodi Origins
[20:37] Simcha and Transformation
[21:27] Sponsor Break
[22:35] Marriage and New Garments
[27:43] Unetaneh Tokef to Nehemiah
[30:50] Confidence and Joy
[32:38] Wrap Up and Challenge
Links & Learnings
Sign up for free and get more from our weekly newsletter https://madlik.com/
Sefaria Source Sheet: https://voices.sefaria.org/sheets/742586
Transcript here: https://madlik.substack.com/
00:00:05,208 –> 00:00:08,320 This week’s haftarah begins with a wake-up call. 2 00:00:08,320 –> 00:00:11,362 Hit’oreri, hit’oreri, awaken, 3 00:00:11,362 –> 00:00:14,824 awaken. Uri Uri, wake up, wake up. 4 00:00:14,824 –> 00:00:20,088 Hitna’ari me’afar kumi, shake off the dust and arise. 5 00:00:20,088 –> 00:00:24,470 Isaiah is speaking to the defeated and demoralized people, 6 00:00:24,470 –> 00:00:27,853 but his answer is not simply consolation. 7 00:00:27,853 –> 00:00:29,844 It is transformation. 8 00:00:30,582 –> 00:00:35,005 Zion must rise from the dust, throw off the identity of a captive, 9 00:00:35,005 –> 00:00:37,887 dress herself in garments of splendor, 10 00:00:37,887 –> 00:00:42,590 and rejoice like a bride reunited with her beloved. 11 00:00:42,590 –> 00:00:49,245 Centuries later, Shlomo Alkabetz took these words and images and wove them into 12 00:00:49,245 –> 00:00:51,706 Lecha Dodi. Every Friday night, 13 00:00:51,706 –> 00:00:56,740 Isaiah’s prophecy of national redemption becomes a joyous wedding song. 14 00:00:56,740 –> 00:01:00,102 We welcome the Shabbat queen dressed in her honor. 15 00:01:00,342 –> 00:01:06,007 And sing with what one siddur calls simcha atzumah ad me’od, 16 00:01:06,007 –> 00:01:10,510 exceedingly great joy. But this week we’re going to take 17 00:01:10,510 –> 00:01:13,133 the connection one surprising step further. 18 00:01:13,133 –> 00:01:16,475 Isaiah’s call to wake up, change our clothes, 19 00:01:16,475 –> 00:01:20,939 and celebrate God’s reign does not lead only to Shabbat, 20 00:01:20,939 –> 00:01:24,882 it also takes us directly into the high holidays. 21 00:01:24,882 –> 00:01:29,036 We usually associate Rosh Hashanah and Yom Kippa with judgments. 22 00:01:29,166 –> 00:01:34,307 with trembling and fear, yet on Rosh Hashanah Nehemiah tells a weeping people to eat, 23 00:01:34,307 –> 00:01:37,735 drink, and rejoice, and the Mishnah declares that there were 24 00:01:37,735 –> 00:01:40,000 no days more joyous than Yom Kippur.
25 00:01:43,062 --> 00:01:46,224 Welcome to Madlik. My name is Geoffrey Stern, 26 00:01:46,224 --> 00:01:51,326 and at Madlik, we light a spark or shed some light on a Jewish text or tradition. 27 00:01:51,326 --> 00:01:54,968 Along with Rabbi Adam Mintz, we host Madlik Disruptive Torah 28 00:01:54,968 --> 00:01:59,251 on your favorite podcast platform and now on YouTube and Substack. 29 00:01:59,251 --> 00:02:02,252 We also publish a source sheet on Sefaria, 30 00:02:02,252 --> 00:02:04,934 and a link is included in the show notes. 31 00:02:04,934 --> 00:02:09,716 This week we read Parshat Shoftim and we read the fourth haftarah 32 00:02:09,716 --> 00:02:12,678 of Consolation leading up to the high holidays. 33 00:02:13,196 --> 00:02:19,113 So join us for Wake Up and Rejoice as we discover a Jewish wake up call that invites 34 00:02:19,113 --> 00:02:22,438 us not simply to rise up, but to dance. 35 00:02:22,438 --> 00:02:29,345 Rabbi, it's gonna be Rosh Chodesh Elul by the time this podcast airs, 36 00:02:29,345 --> 00:02:32,090 so I guess we're getting into the spirit of the holidays. 37 00:02:32,674 --> 00:02:36,150 That's exciting. There's nothing better than getting into the spirit 38 00:02:36,150 --> 00:02:39,396 of the High Holidays. So let's take this haftarah and let's see how 39 00:02:39,396 --> 00:02:41,420 it connects to the upcoming High Holidays. 40 00:02:42,272 --> 00:02:46,346 And it's also a little bit of new territory for us because normally we focus 41 00:02:46,346 --> 00:02:49,459 on the parsha itself in the five books of Moses. 42 00:02:49,459 --> 00:02:52,672 And today we're going to look at the haftorot, 43 00:02:52,672 --> 00:02:58,238 which were sections from the prophets that were linked thematically 44 00:02:58,338 --> 00:03:02,562 or calendar-wise with the parsha. 45 00:03:02,562 --> 00:03:06,366 So this week's haftarah is by Isaiah. 46 00:03:06,786 --> 00:03:08,557 It's the fifth book of the prophets, 47 00:03:08,557 --> 00:03:12,408 and it's known for its visions of universal peace and renewal. 48 00:03:12,408 --> 00:03:15,849 It was written during the period of the first temple, 49 00:03:15,849 --> 00:03:21,611 so this is BC, against the backdrop of rising Assyrian Empire and Israel 50 00:03:21,611 --> 00:03:24,602 on the decline. Of course, the temple had been destroyed. 51 00:03:24,602 --> 00:03:28,754 Isaiah rebukes Israel for abandoning God and pursuing corruption. 52 00:03:29,016 --> 00:03:33,510 He calls for change and warns the nations of their ultimate downfall. 53 00:03:33,510 --> 00:03:38,175 But more importantly to us, the third of the book contains comforting prophecies 54 00:03:38,315 --> 00:03:40,837 about returning to Jerusalem and redemption. 55 00:03:40,837 --> 00:03:47,643 And that's why it's used a lot in these haftarot of consolation, 56 00:03:47,643 --> 00:03:50,046 which starts with Nachamu Nachamu, 57 00:03:50,046 --> 00:03:52,488 which comes from Isaiah itself. 58 00:03:52,488 --> 00:03:54,360 So these haftarot. 59 00:03:54,602 --> 00:03:59,793 are linked less to the parsha, but more to the time of year that we're in. 60 00:03:59,793 --> 00:04:00,793 Is that correct? 61 00:04:01,014 --> 00:04:02,895 That is absolutely right. Right. 62 00:04:02,895 --> 00:04:08,939 So you know, since the last ten weeks of the year have haftarot that 63 00:04:08,939 --> 00:04:11,060 are linked to the calendar. 64 00:04:11,060 --> 00:04:13,141 The three weeks before Tisha B'Av, 65 00:04:13,141 --> 00:04:15,502 we have three Haftarot of destruction. 66 00:04:15,502 --> 00:04:17,803 And then the seven weeks after Tisha B'Av, 67 00:04:17,803 --> 00:04:21,005 we have seven Haftarot of consolation. 68 00:04:21,005 --> 00:04:25,688 So even though usually the haftarah is linked to the weekly portion, 69 00:04:25,688 --> 00:04:27,969 but these last ten weeks of the year, 70 00:04:27,969 --> 00:04:29,150 they're linked to the calendar. 71 00:04:30,538 --> 00:04:33,961 Okay, so it is just poetic and lyrical. 72 00:04:33,961 --> 00:04:36,983 We are in Isaiah 51, twelve, 73 00:04:36,983 --> 00:04:40,241 and this is how the haftarah begins. 74 00:04:40,241 --> 00:04:44,209 We're gonna see there's a lot of repetition of two words. 75 00:04:44,209 --> 00:04:47,951 We've already focused on a few in the intro. 76 00:04:47,951 --> 00:04:51,114 It says, Anochi, Anochi, 77 00:04:51,114 --> 00:04:56,338 hu menachemchem. I am the one emphatically who comforts you. 78 00:04:56,630 --> 00:04:59,552 What ails you that you fear man who must die? 79 00:04:59,552 --> 00:05:03,435 Mortals who fare like grass. 80 00:05:03,435 --> 00:05:07,127 so just as grass is fleeting, 81 00:05:07,127 --> 00:05:09,109 it grows and it disappears. 82 00:05:09,109 --> 00:05:12,121 it already is talking about the mortality, 83 00:05:12,121 --> 00:05:14,933 but it's also talking about Menachem. 84 00:05:14,933 --> 00:05:18,666 It says in the fourth word that he's come to comfort us, 85 00:05:18,666 --> 00:05:22,639 to console us. and it has this emphasis of saying, 86 00:05:22,639 --> 00:05:24,660 I, I, this relationship. 87 00:05:25,314 --> 00:05:31,078 with God then we go to Isaiah 51 the same chapter 88 00:05:31,078 --> 00:05:37,122 16 through seventeen and there it says the famous words that I quoted 89 00:05:37,362 --> 00:05:44,087 it says I have said to Zion you are my people rouse rouse yourself 90 00:05:44,087 --> 00:05:48,530 it says rouse yourselves rouse Jerusalem 91 00:05:48,530 --> 00:05:54,674 "Tzion, ami atah. Hit'oreri, hit'oreri, kumi Yerushalayim." 92 00:05:55,362 --> 00:06:00,043 You who from God's hand have drunk God's wrath filled cup, 93 00:06:00,043 --> 00:06:02,824 you who have drained to the dregs the bowl, 94 00:06:02,824 --> 00:06:06,275 the cup of reeling. So it's not ignoring the past, 95 00:06:06,275 --> 00:06:09,886 it's not ignoring the tough times that preceded, 96 00:06:09,886 --> 00:06:14,897 but it is emphatically saying that number one, 97 00:06:14,897 --> 00:06:18,528 God has a relationship with this people, 98 00:06:18,528 --> 00:06:24,470 and two, you are my people, and this is a moment to get up. 99 00:06:24,672 --> 00:06:27,714 And to arise. But hit'oreri, 100 00:06:27,714 --> 00:06:31,127 hit'oreri is is just beautiful. 101 00:06:31,127 --> 00:06:35,550 We'll see for those of you who don't know it from the Kabbalat Shabbat 102 00:06:35,650 --> 00:06:39,813 how this should resonate with so many of us. 103 00:06:39,813 --> 00:06:42,855 Let's just continue a little bit more. 104 00:06:42,855 --> 00:06:49,600 then it goes to Isaiah 52 1 through 2, 105 00:06:49,600 --> 00:06:52,722 and it says, awake, awake, O Zion. 106 00:06:53,070 --> 00:06:56,173 Clothe yourself in splendor. 107 00:06:56,173 --> 00:07:01,698 In Hebrew, that is uri uri livshi uzechotzon. 108 00:07:01,698 --> 00:07:05,541 And then it goes on with other words that will be familiar 109 00:07:05,541 --> 00:07:08,984 to us hitna'ari me'afar kumi. 110 00:07:08,984 --> 00:07:12,107 So it says, Awake, awake, 111 00:07:12,107 --> 00:07:14,890 O Zion, clothe yourself in splendor. 112 00:07:14,890 --> 00:07:18,463 Put on your robes of majesty, Jerusalem, 113 00:07:18,463 --> 00:07:19,463 holy city. 114 00:07:19,566 --> 00:07:23,389 For the uncircumcised and the impure shall never enter you again. 115 00:07:23,389 --> 00:07:26,461 This was a moment where they had been conquered. 116 00:07:26,461 --> 00:07:30,053 Arise, shake off the dust, 117 00:07:30,053 --> 00:07:32,615 sit on your throne, Jerusalem, 118 00:07:32,615 --> 00:07:34,957 loose the bonds from your neck, 119 00:07:34,957 --> 00:07:41,791 O captive ones, fair Zion. It's you can almost feel the tremors of emphasis here. 120 00:07:41,791 --> 00:07:46,945 it's really coming out you. in Isaiah 52 7, 121 00:07:46,945 --> 00:07:48,386 it says, How welcome? 122 00:07:48,840 --> 00:07:51,802 On the mountains are the footsteps of the herald, 123 00:07:51,802 --> 00:07:54,534 announcing happiness, hearing good fortune, 124 00:07:54,534 --> 00:07:57,756 announcing victory. Tell Zion your God reigns. 125 00:07:57,756 --> 00:08:01,279 And so here too, as it finishes, 126 00:08:01,279 --> 00:08:06,663 it's talking about come back to the mountaintops of Judah 127 00:08:07,043 --> 00:08:13,768 and your God reigns. You almost feel as if you have to say again or anew, 128 00:08:13,768 --> 00:08:17,010 or He's back, so to speak. 129 00:08:17,344 --> 00:08:20,797 And then finally in 52:11, 130 00:08:20,797 --> 00:08:24,230 it says, Suru, suru, again for emphasis, 131 00:08:24,230 --> 00:08:28,924 turn away, turn away, touch nothing impure as you depart from there, 132 00:08:28,924 --> 00:08:31,906 keep pure as you go forth from there, 133 00:08:31,906 --> 00:08:33,967 you who bare the vessels of God. 134 00:08:33,967 --> 00:08:38,792 So now he's talking to those who are still in exile in Babylonia, 135 00:08:38,792 --> 00:08:44,917 and he's asking them to come back and to leave all of that which 136 00:08:44,997 --> 00:08:46,078 is impure. 137 00:08:46,498 --> 00:08:50,079 behind. and as I mentioned before, 138 00:08:50,079 --> 00:08:55,241 we would remiss, we'd be remiss if we didn't have Isaiah's line of Nachamu, 139 00:08:55,241 --> 00:08:57,602 Nachamu, nachamu ami, yomar Eloheichem, 140 00:08:57,602 --> 00:09:02,283 the first of the Haftarot of Consolation. 141 00:09:02,283 --> 00:09:07,485 There's a lot of emphasis, there's a lot of waking up 142 00:09:07,485 --> 00:09:09,716 and shocking the people awake. 143 00:09:10,152 --> 00:09:15,239 to where they are. Just kind of remarkable words on their own, 144 00:09:15,239 --> 00:09:17,386 but especially if you know our liturgy. 145 00:09:18,306 --> 00:09:21,110 Yeah, I mean that's amazing and obviously we'll talk about this. 146 00:09:21,110 --> 00:09:24,495 The word nachamu, the idea of comforting, 147 00:09:24,495 --> 00:09:26,028 is a Torah word. 148 00:09:26,284 --> 00:09:30,556 in a number of contexts the Torah uses the word Nachamu. 149 00:09:30,556 --> 00:09:34,178 So that's really that's really the you know the powerful word 150 00:09:34,278 --> 00:09:40,001 of these seven haftarot. And actually the Shabbat after Tisha B'Av 151 00:09:40,041 --> 00:09:43,582 has a special name and it's called Shabbat Nachamu, 152 00:09:43,582 --> 00:09:46,694 the Shabbat of Consolation based on the Haftarah. 153 00:09:46,694 --> 00:09:50,786 So clearly that's the word that you know everything centers around that word. 154 00:09:52,258 --> 00:09:54,129 And it would seem that from that, 155 00:09:54,129 --> 00:09:59,460 because I think that's probably the only haftarah that gets first billing 156 00:09:59,460 --> 00:10:04,537 throughout the year, that Shabbat is the beginning of reading 157 00:10:04,537 --> 00:10:07,149 these haftarot of consolation. 158 00:10:07,149 --> 00:10:13,714 So I just want to quote a few of the contemporary commentaries who are trying to put 159 00:10:13,994 --> 00:10:17,175 These verses that I just read into context. 160 00:10:17,175 --> 00:10:19,716 The first is the Etz Hayim Chumash, 161 00:10:19,716 --> 00:10:23,158 that's the Chumash used mostly by the Conservative movement. 162 00:10:23,158 --> 00:10:25,769 It says each part of this haftara, 163 00:10:25,769 --> 00:10:29,241 a divine pronouncement of comfort to Zion and the nation, 164 00:10:29,241 --> 00:10:32,362 features a pattern of double proclamation. 165 00:10:32,820 --> 00:10:37,653 After God tells the people at the outset that I am he who comforts you, 166 00:10:37,653 --> 00:10:41,295 remember we said I, I am he who comforts you, 167 00:10:41,295 --> 00:10:43,497 Jerusalem, also known as Zion, 168 00:10:43,497 --> 00:10:49,460 is exhorted to rouse, rouse herself from travail of sorrow and to awake, 169 00:10:49,460 --> 00:10:52,242 awake to her new destiny of splendor. 170 00:10:52,536 --> 00:10:57,330 Finally, the exiles are called on to turn turn away from Babylon 171 00:10:57,430 --> 00:10:59,411 and begin the journey to the homeland. 172 00:10:59,411 --> 00:11:04,055 These repetitions intensify the divine commands and spotlight 173 00:11:04,055 --> 00:11:07,918 the haftara's three themes of divine presence, 174 00:11:07,918 --> 00:11:13,622 national transformation, and return from Zion, 175 00:11:13,622 --> 00:11:18,326 or I should say return from exile to Zion. 176 00:11:18,886 --> 00:11:22,207 And then in some of the other commentaries, 177 00:11:22,207 --> 00:11:27,369 this one is from the Anchor Yale Bible by Joseph Blenkinsopp. 178 00:11:27,369 --> 00:11:33,801 He said the repeated verb or uri, hit'oreri can signify a call to battle. 179 00:11:33,801 --> 00:11:37,312 and he brings a reference to Deborah the judge, 180 00:11:37,312 --> 00:11:39,753 a summons to a special mission, 181 00:11:39,753 --> 00:11:43,814 such as when God aroused the spirit of Cyrus. 182 00:11:44,200 --> 00:11:48,732 Or to a prophetic calling, and of course he's bringing verses for all of these, 183 00:11:48,732 --> 00:11:54,094 or finally a gathering up of spiritual and physical energies 184 00:11:54,214 --> 00:11:58,836 for decisive action. So I think that's kind of echoes what I was saying before 185 00:11:58,836 --> 00:12:02,277 is you can get a sense almost that this is a moment. 186 00:12:02,277 --> 00:12:05,199 and he's trying to seize the moment. 187 00:12:05,199 --> 00:12:10,841 The repetition itself indicates a sense of urgency and conveys the impression that 188 00:12:10,841 --> 00:12:12,882 a critical point has been reached. 189 00:12:13,306 --> 00:12:16,898 And he says again, the repetition further along, 190 00:12:16,898 --> 00:12:20,310 urging departure, presumably from Babylonia, 191 00:12:20,310 --> 00:12:25,913 connects structurally with the first passage which is Nachamu Nachamu. 192 00:12:25,913 --> 00:12:28,895 another modern commentary, 193 00:12:28,895 --> 00:12:33,091 J. Alec Motyer says, awake, awake is an example of 194 00:12:33,091 --> 00:12:37,039 reduplication for emotional intensity. 195 00:12:37,039 --> 00:12:40,481 In the rich anthropomorphism of the Bible, 196 00:12:40,481 --> 00:12:42,162 and he references Exodus. 197 00:12:42,442 --> 00:12:47,964 Suggests sudden divine recollection after a prolonged lapse of memory. 198 00:12:47,964 --> 00:12:50,645 I'm not quite sure who's being woken up here. 199 00:12:50,645 --> 00:12:55,888 So here to the human eye, it seems as if the Lord has gone to sleep over 200 00:12:55,888 --> 00:13:01,430 his promises. In other words, the anthropomorphism calls on God to act with 201 00:13:01,430 --> 00:13:05,012 the same dispatch and urgency that would follow if, 202 00:13:05,012 --> 00:13:10,594 in our experience, we woke to the sudden recollection of a forgotten duty. 203 00:13:11,075 --> 00:13:16,847 it's just fascinating how rich this repetition is, 204 00:13:16,847 --> 00:13:21,428 and of course especially so because you have it so many times one after the other. 205 00:13:21,742 --> 00:13:23,353 Right. So let's just say that, 206 00:13:23,353 --> 00:13:26,134 you know, we you pointed out at the beginning that we're doing something 207 00:13:26,134 --> 00:13:28,925 different this week. We're looking at the haftarah, 208 00:13:28,925 --> 00:13:35,288 and the style of the prophets is very much different than the style of the Torah. 209 00:13:35,288 --> 00:13:38,770 You don't have this kind of repetition in the Torah. 210 00:13:38,770 --> 00:13:42,962 So he's really making a point that the prophet uses repetition, 211 00:13:42,962 --> 00:13:47,964 it's kind of poetry, but uses repetition in order to emphasize, 212 00:13:47,964 --> 00:13:48,964 you know. 213 00:13:48,544 --> 00:13:51,516 to emphasize the point. And of course, 214 00:13:51,516 --> 00:13:53,617 you know, the idea of arise, arise, 215 00:13:53,617 --> 00:13:57,339 that's good. But it starts with nachamu nachamu. 216 00:13:57,339 --> 00:13:59,780 You think about it, the first haftarah, 217 00:13:59,780 --> 00:14:02,041 why does it have to say nachamu twice? 218 00:14:02,041 --> 00:14:03,352 Just say comfort. 219 00:14:03,586 --> 00:14:06,007 Right, be comforted. Nachamu, Nachamu ami. 220 00:14:06,007 --> 00:14:09,348 My people be comforted. But the fact that it says it twice, 221 00:14:09,348 --> 00:14:14,580 Nachamu, Nachamu Ami, is clearly for emphasis and it almost sets 222 00:14:14,580 --> 00:14:18,792 up the subsequent six weeks are gonna be repetition. 223 00:14:18,792 --> 00:14:21,313 It almost like highlights for us. 224 00:14:21,313 --> 00:14:23,074 Look for the repetition. 225 00:14:23,234 --> 00:14:25,347 Cause that's gonna be the key of all the haftarot. 226 00:14:25,347 --> 00:14:27,820 And I think that that's the idea of arise, 227 00:14:27,820 --> 00:14:31,264 arise. And of course, Shlomo Alkabetz in Lecha Dodi, 228 00:14:31,264 --> 00:14:35,789 he picks that up also. He understands that's the that's the call to action. 229 00:14:35,789 --> 00:14:39,474 And of course, what better way to begin Shabbat than with that call to act? 230 00:14:41,106 --> 00:14:43,708 And I will say we do have some repetition. 231 00:14:43,708 --> 00:14:45,989 We have tzedek, tzedek tirdof. 232 00:14:45,989 --> 00:14:49,811 Yeah, that's just yeah. We also have, 233 00:14:49,811 --> 00:14:51,522 and this comes up in the High Holidays, 234 00:14:51,522 --> 00:14:55,294 Adonai, Adonai, El rachum v’chanun. 235 00:14:55,294 --> 00:15:01,098 So what really is striking is it's not as if they're creating a new grammar, 236 00:15:01,098 --> 00:15:04,189 but the fact that they're using it so much, 237 00:15:04,189 --> 00:15:06,831 you really get a sense of intensity. 238 00:15:06,831 --> 00:15:08,482 and I think 239 00:15:08,914 --> 00:15:11,697 before we start with the Lecha Dodi, 240 00:15:11,697 --> 00:15:18,153 in some of the kind of the commentaries or treatments of Jewish liturgy that I've 241 00:15:18,383 --> 00:15:21,907 come across, they all point to the Lecha Dodi as almost the peak, 242 00:15:21,907 --> 00:15:26,351 as almost the climax of the Friday night service. 243 00:15:26,351 --> 00:15:28,834 and there is this sense 244 00:15:29,174 --> 00:15:35,062 of great emphasis. lacha dodi likrat kala pane shabbat nekabla. 245 00:15:35,062 --> 00:15:40,669 That just means welcome your bride to create to welcome the bride 246 00:15:40,889 --> 00:15:47,638 of shabbat the face of the shabbat we welcome 247 00:15:48,162 --> 00:15:49,883 Let's just explain for a minute. 248 00:15:49,883 --> 00:15:52,925 Shabbat is seen as the bride. 249 00:15:52,925 --> 00:15:57,249 Shabbat is seen as a queen. Shabbat is seen as the feminine. 250 00:15:57,249 --> 00:16:02,813 So we go out to greet the same way that the groom goes to greet the bride. 251 00:16:02,813 --> 00:16:05,835 We go out to greet the Shabbat. 252 00:16:05,835 --> 00:16:08,549 And of course, in Tzfat, they used to go out to the, 253 00:16:08,549 --> 00:16:10,248 you know, they used to go out on the mountains, 254 00:16:10,248 --> 00:16:11,720 they used to go out into the fields, 255 00:16:11,720 --> 00:16:14,922 and they used to actually bring in the Shabbat. 256 00:16:15,042 --> 00:16:18,513 And that's what the image is. 257 00:16:19,640 --> 00:16:21,091 So I'm gonna go to the English, 258 00:16:21,091 --> 00:16:25,974 but when appropriate, you or I will throw in the Hebrew so that everybody recognizes 259 00:16:25,974 --> 00:16:28,455 it. But clearly, as you were saying, 260 00:16:28,455 --> 00:16:33,318 we have Talmudic times where Rabbi Chanina used to robe himself 261 00:16:33,558 --> 00:16:37,221 and stood at sunset on the eve of the Sabbath and exclaimed, 262 00:16:37,221 --> 00:16:40,242 Come let us go forth to welcome the Shabbat Queen. 263 00:16:40,242 --> 00:16:44,655 Rabbi Yannai garbed himself in festive attire on Shabbat and exclaimed, 264 00:16:44,655 --> 00:16:46,046 Come, bride, come, bride. 265 00:16:46,356 --> 00:16:48,967 And this is in the tractate of Shabbat. 266 00:16:48,967 --> 00:16:54,188 So this is not new. What the author of this piyyut that was then 267 00:16:54,468 --> 00:17:00,210 put to multiple tunes did was he made it into a liturgy and into a song. 268 00:17:00,210 --> 00:17:05,692 And what he starts by saying is Shamor v'Zachor b'dibur achat, 269 00:17:05,692 --> 00:17:08,193 preserve and remember in a single utterance. 270 00:17:08,193 --> 00:17:12,503 we will see, depending on how much of the material we get to. 271 00:17:12,972 --> 00:17:16,463 That in the Isaiah text that we're reading, 272 00:17:16,463 --> 00:17:19,615 it's not quite clear who's speaking when. 273 00:17:19,615 --> 00:17:23,597 Sometimes the verbs are in the female singular, 274 00:17:23,597 --> 00:17:28,949 sometimes male. What I take, preserve and remember in a single utterance based 275 00:17:28,949 --> 00:17:33,701 on the Midrash, that Zachor v'Shamor are in the two renderings 276 00:17:33,701 --> 00:17:36,042 of the Ten Commandments, is we don't, 277 00:17:36,042 --> 00:17:39,734 there are so many people that could be speaking here. 278 00:17:39,734 --> 00:17:40,734 It could be very 279 00:17:40,814 --> 00:17:42,636 personal welcoming the Shabbat. 280 00:17:42,636 --> 00:17:45,719 It could be welcoming the Shabbat as a nation, 281 00:17:45,719 --> 00:17:50,324 as a world. I think that kind of greets into it. 282 00:17:50,324 --> 00:17:54,889 Then it goes Mikdash melech, ir meluchah. 283 00:17:54,889 --> 00:17:58,954 all of a sudden it goes from something very personal 284 00:17:59,214 --> 00:18:02,515 To the sanctuary of the king royal city arise. 285 00:18:02,515 --> 00:18:07,078 And this clearly comes right out of the verses in Isaiah that we've just been 286 00:18:07,078 --> 00:18:11,580 talking about. too long have you dwelt in the valley of weeping. 287 00:18:11,580 --> 00:18:14,831 You are going to be will show you, 288 00:18:14,831 --> 00:18:17,142 he's going to be good to you. 289 00:18:17,142 --> 00:18:20,123 And then in the next stanza it says, 290 00:18:20,123 --> 00:18:25,656 Hit'oreri take the dust off of yourself. 291 00:18:25,918 --> 00:18:28,620 Arise, dress up in your garments of glory, 292 00:18:28,620 --> 00:18:32,032 literally quotes from Isaiah here. 293 00:18:32,032 --> 00:18:37,246 And it says, My people, though the sons of Yeshai the Bethlehemeth draw near 294 00:18:37,246 --> 00:18:42,128 my soul and redeem it. So it's talking now the national story. 295 00:18:42,128 --> 00:18:45,972 And then it says, Hit'oreri, Hit'oreri, 296 00:18:45,972 --> 00:18:48,433 wake up, wake up, for your light has come. 297 00:18:48,433 --> 00:18:49,433 Kumi 298 00:18:49,556 --> 00:18:54,269 Or get up and shine. I realized reading this that rise and shine, 299 00:18:54,269 --> 00:18:58,172 that that that song that we sing to our kids to wake them up in 300 00:18:58,172 --> 00:19:01,775 the morning probably comes from this in Isaiah: 301 00:19:01,775 --> 00:19:06,858 awaken, awaken, utter a song, the glory of God is revealed upon you. 302 00:19:06,858 --> 00:19:12,742 So, in a song, the paytan is saying that we need 303 00:19:12,742 --> 00:19:17,726 to break into song. That is how wonderful. 304 00:19:18,086 --> 00:19:23,730 this moment is getting back to this consolation it says feel 305 00:19:23,730 --> 00:19:29,525 not ashamed or humiliated why are you bowed down why do you moan in 306 00:19:29,525 --> 00:19:33,498 you will take refuge the poor of my people the city will be rebuilt 307 00:19:33,750 --> 00:19:40,134 As in ancient times, they will be ravaged those 308 00:19:40,134 --> 00:19:44,096 who ravaged you. They will be cast off while you devour. 309 00:19:44,096 --> 00:19:49,979 Your God will rejoice over you as a bridegroom rejoices in the bride. 310 00:19:49,979 --> 00:19:56,203 And then it goes to the final climax where 311 00:19:56,203 --> 00:20:02,036 we all stand up and we turn around as if physically welcoming the Shabbat. 312 00:20:02,146 --> 00:20:07,430 bride. And this is where I saw in the Sephardic siddur that I 313 00:20:07,430 --> 00:20:10,592 took the Sefaria translation. 314 00:20:10,592 --> 00:20:16,416 It says, "Bo'i V'shalom ye'amar adam b'simcha atzumah ad me'od." 315 00:20:16,736 --> 00:20:21,139 That "Bo'i V'shalom" has to be said in exceedingly great joy. 316 00:20:21,339 --> 00:20:24,822 Even more. 317 00:20:24,822 --> 00:20:30,986 he can't find the adjectives to describe the joy. 318 00:20:31,266 --> 00:20:36,809 That is the uplifting sense of how this is said. 319 00:20:36,809 --> 00:20:42,201 And what I'm trying to do in emphasizing this feeling of Lecha Dodi is 320 00:20:42,201 --> 00:20:44,182 I'm going to make an argument today, 321 00:20:44,182 --> 00:20:49,235 as I said in the intro, that you can easily transfer the same message 322 00:20:49,355 --> 00:20:54,147 to the High Holidays. And while many people would totally agree with 323 00:20:54,147 --> 00:20:55,878 me and understand that the 324 00:20:56,622 --> 00:21:03,236 Overwhelming emotion on a Friday night when you welcome in the Shabbat is this joy, 325 00:21:03,236 --> 00:21:06,538 this uplifting, casting off your garments, 326 00:21:06,538 --> 00:21:08,410 the old garments, putting on the new. 327 00:21:08,410 --> 00:21:11,712 I am gonna make an argument that this parsha, 328 00:21:11,712 --> 00:21:16,755 this haftarah, and using Isaiah is going in the same direction for the High Holidays. 329 00:21:16,755 --> 00:21:19,717 I have to work on proving my case, 330 00:21:19,717 --> 00:21:21,278 but that's the direction. 331 00:21:21,570 --> 00:21:27,815 that I'm going and that's why I really want to focus on simcha atzumah ad me'od. 332 00:21:27,815 --> 00:21:31,308 This has to be just unbounded joy. 333 00:21:33,824 --> 00:21:36,876 And now a word from our sponsor. 334 00:21:36,876 --> 00:21:40,348 If there.s one thing we value at Madlik podcast, 335 00:21:40,348 --> 00:21:42,899 it's reading texts and talking about them. 336 00:21:42,899 --> 00:21:47,462 That's why I'm excited to share something I created called VoiceGift PLAY. 337 00:21:47,462 --> 00:21:52,405 It fits in the palm of your hand like a remote control and clips onto any book. 338 00:21:52,405 --> 00:21:56,647 It's inspired by those old school museum audio guides, 339 00:21:56,647 --> 00:22:01,670 but this is personal. VoiceGift PLAY stores up to 10 hours of audio. 340 00:22:01,952 --> 00:22:05,744 Across 999 numbered recordings. 341 00:22:05,744 --> 00:22:08,825 You simply enter a number to record a comment, 342 00:22:08,825 --> 00:22:13,347 memory, or explanation, and enter the same number to play it back. 343 00:22:13,347 --> 00:22:16,848 It's perfect for b'nei mitzvah practicing their leining, 344 00:22:16,848 --> 00:22:19,249 capturing grandpa's favorite tune, 345 00:22:19,249 --> 00:22:23,171 or recording Chad Gadya in a voice that matters. 346 00:22:23,171 --> 00:22:28,773 Go to voice.gift. That's www.voice.gift. 347 00:22:30,694 --> 00:22:33,975 and use code MADLIK for fifteen percent off. 348 00:22:33,975 --> 00:22:37,737 Thanks. And now back to our podcast. 349 00:22:37,737 --> 00:22:43,078 Let's talk about some of the elements that we find in 350 00:22:43,078 --> 00:22:48,881 Lecha Dodi that maybe didn't come up in our specific haftarah. 351 00:22:48,881 --> 00:22:52,642 So in Isaiah sixty two it says 352 00:22:53,082 --> 00:22:56,605 that you never shall be called forsaken, 353 00:22:56,605 --> 00:22:59,187 nor shall your land be called desolate, 354 00:22:59,187 --> 00:23:04,752 but you shall be called a delight in her and your land espoused. 355 00:23:04,752 --> 00:23:09,796 in Isaiah 62, it literally uses the language 356 00:23:10,197 --> 00:23:14,060 of a deserted woman, of a woman who is cast off. 357 00:23:14,060 --> 00:23:18,543 Lo ye'amer lach, it will no longer be said to you in the feminine, 358 00:23:18,543 --> 00:23:21,586 od azuvah, that you are a 359 00:23:22,116 --> 00:23:27,093 a rejected woman, lo od shemamah, ki lach yikarei Cheftzi-Vah, 360 00:23:27,093 --> 00:23:30,338 my desire will be you, 361 00:23:30,338 --> 00:23:37,067 ul'artzeich be'ulah and the land will be your engagement, 362 00:23:37,067 --> 00:23:38,770 will be our marriage. 363 00:23:39,040 --> 00:23:40,811 And then it goes on to finish, 364 00:23:40,811 --> 00:23:45,012 your land shall be espoused, using the language of marriage. 365 00:23:45,012 --> 00:23:50,093 As a youth espouses a maiden, your son shall espouse you. 366 00:23:50,093 --> 00:23:54,695 So now we're talking about both God and Zion and the homeland. 367 00:23:54,695 --> 00:23:58,076 And as a bridegroom rejoices over his bride, 368 00:23:58,076 --> 00:24:02,367 so will God rejoice over you. So it says, 369 00:24:02,367 --> 00:24:04,577 u'mesos chatan al kallah, yasis alayich Elohayich. 370 00:24:06,950 --> 00:24:09,063 again, I was at a wedding last night, 371 00:24:09,063 --> 00:24:12,468 they sang Lecha Dodi. it's all connected, 372 00:24:12,468 --> 00:24:18,477 but you can see again how the paytan took inspiration to merge 373 00:24:18,477 --> 00:24:21,641 all of this imagery and this sense of Lecha Dodi. 374 00:24:21,641 --> 00:24:23,444 It's quite wonderful, is it not? 375 00:24:23,980 --> 00:24:29,012 Well, so let me just say that you quoted from the Sephardic siddur that this needs 376 00:24:29,012 --> 00:24:34,314 to be said bit b'simcha atzumah ad me'od with total happiness. 377 00:24:34,314 --> 00:24:38,196 And of course that's the image of the bride and the groom. 378 00:24:38,196 --> 00:24:42,058 Because when you want to think of what's the ultimate happiness. 379 00:24:42,410 --> 00:24:46,453 It's a bride and a groom. So it's all it's all connected. 380 00:24:46,453 --> 00:24:51,076 And that's so they take the image of the bride and groom from Isaiah, 381 00:24:51,076 --> 00:24:56,090 they apply it to Shabbat, and they take the image of the happiness of 382 00:24:56,090 --> 00:24:59,422 the bride and the groom, and they apply that to Shabbat as well. 383 00:25:00,408 --> 00:25:05,981 So I think that is a pretty good anchor for where Lecha Dodi takes this sense 384 00:25:06,221 --> 00:25:09,213 of a bride and groom as a metaphor, 385 00:25:09,213 --> 00:25:13,245 motif. The other one that I want to focus on a little bit is this idea 386 00:25:13,245 --> 00:25:17,507 of taking off the old clothing and putting on the new clothing. 387 00:25:17,507 --> 00:25:20,139 In Isaiah 51, six through eight. 388 00:25:20,139 --> 00:25:25,812 So that is a few lines before I believe our haftorah actually begins. 389 00:25:25,812 --> 00:25:29,094 It says, Raise your eyes to the heavens and look upon the earth beneath. 390 00:25:29,304 --> 00:25:31,285 Though the heaven should melt away like smoke, 391 00:25:31,285 --> 00:25:34,298 and the earth wear out like a garment, 392 00:25:34,298 --> 00:25:36,781 and its inhabitants die out as well. 393 00:25:36,781 --> 00:25:39,013 My victory shall stand forever, 394 00:25:39,013 --> 00:25:41,215 my triumph shall remain unbroken. 395 00:25:41,215 --> 00:25:45,588 he says, Listen to me, for you who care for the right, 396 00:25:45,588 --> 00:25:47,990 or people who lay my instructions to heart. 397 00:25:47,990 --> 00:25:50,453 Isaiah is talking to the believers, 398 00:25:50,453 --> 00:25:52,955 the followers, the people that follow him, 399 00:25:52,955 --> 00:25:56,498 and he's talking about taking away the 400 00:25:56,770 --> 00:26:03,072 Old clothing, which kind of it strikes us of the dead, 401 00:26:03,072 --> 00:26:05,673 the worn out, the moth-eaten. 402 00:26:05,673 --> 00:26:09,274 In verse eight, he says, for the moth shall eat them up like a garment, 403 00:26:09,274 --> 00:26:11,555 the worm shall eat them up like wool, 404 00:26:11,555 --> 00:26:14,235 but my triumph shall endure forever. 405 00:26:14,235 --> 00:26:17,846 So again, this sense of taking off the garment and putting on a 406 00:26:17,846 --> 00:26:22,638 new garment for Shabbat or for the redemption is very strong. 407 00:26:23,050 --> 00:26:28,474 And then the way he ends this whole thing is 408 00:26:28,474 --> 00:26:33,759 to say sason v'simcha yimatzei vah, todah v'kol zimrah 409 00:26:33,759 --> 00:26:38,673 he says God has comforted Zion, 410 00:26:38,673 --> 00:26:40,564 gladness and joy shall abide there, 411 00:26:40,564 --> 00:26:43,647 the thanksgiving and the sound of music. 412 00:26:43,647 --> 00:26:49,612 So you can clearly see how this was an inspiration for the paytan. 413 00:26:49,612 --> 00:26:52,134 and we see 414 00:26:52,544 --> 00:26:58,677 I'm gonna quote a little bit from a commentary on Lecha Dodi written 415 00:26:58,677 --> 00:27:04,269 by Reuven Hammer, who I believe became the Minister of Education for a while 416 00:27:04,269 --> 00:27:09,021 in Israel. and he talks about how even in Lecha Dodi, 417 00:27:09,021 --> 00:27:12,603 we go from the individual in the beginning and the end, 418 00:27:12,603 --> 00:27:17,125 and then we go to the national. 419 00:27:17,125 --> 00:27:18,826 but he says 420 00:27:19,138 --> 00:27:21,780 The prophets utilize the language of marriage, 421 00:27:21,780 --> 00:27:25,952 love, and faithfulness to describe exclusive relationship God's demands 422 00:27:25,952 --> 00:27:29,624 of the people. and it as shown in the Shema, 423 00:27:29,624 --> 00:27:33,066 love the Lord your God v'ahafta et hashem elohecha. 424 00:27:33,066 --> 00:27:39,250 And he talks about how this merging of the national 425 00:27:39,370 --> 00:27:43,492 and the personal became so important. 426 00:27:43,492 --> 00:27:46,714 So I wanna end by going. 427 00:27:46,934 --> 00:27:49,555 To Unetaneh Tokef of all things. 428 00:27:49,555 --> 00:27:54,246 Unetaneh Tokef is the famous kind 429 00:27:54,246 --> 00:28:00,978 of emotion-laden moment where the chazan talks about we're 430 00:28:00,978 --> 00:28:05,119 all passing in front of God to be judged like sheep. 431 00:28:05,119 --> 00:28:09,800 And in it he talks about we come from dust and return to dust. 432 00:28:09,800 --> 00:28:14,942 Remember the dust in the vision of Isaiah that was being 433 00:28:15,352 --> 00:28:18,785 thrown off from us. I see that here. 434 00:28:18,785 --> 00:28:21,067 We labor by our lives for bread. 435 00:28:21,067 --> 00:28:24,691 We are like broken shards, like dry grass. 436 00:28:24,691 --> 00:28:30,156 That same sense that what in the world is passing passes like grass 437 00:28:30,156 --> 00:28:35,481 or a withered flower, or beautifully like a passing shadow and a vanishing cloud. 438 00:28:35,481 --> 00:28:40,146 He's not saying that to talk to us about 439 00:28:40,426 --> 00:28:43,648 The the finitude of mortality, 440 00:28:43,648 --> 00:28:48,090 I think what he's trying to do is lift us up to cast off that stuff, 441 00:28:48,090 --> 00:28:52,252 as Isaiah was saying, about cast off the withered grass. 442 00:28:52,252 --> 00:28:54,253 That's what will happen to your enemies. 443 00:28:54,253 --> 00:28:58,485 but you will have your eternal king. 444 00:28:58,485 --> 00:29:04,118 the idea of taking on God and the eternity of our history. 445 00:29:04,448 --> 00:29:09,862 And of our narrative and of our journey as something that uplifts you 446 00:29:10,183 --> 00:29:13,385 and makes you want to shout and dance, 447 00:29:13,385 --> 00:29:16,968 I think, is what clearly comes here. 448 00:29:16,968 --> 00:29:19,871 And as we know, in Nehemiah, 449 00:29:19,871 --> 00:29:24,494 the people are very sad on the beginning of Tishrei. 450 00:29:24,494 --> 00:29:27,627 And he tells them not to mourn or weep. 451 00:29:27,627 --> 00:29:30,679 He says, 'Go eat choice foods and drink sweet drinks, 452 00:29:30,679 --> 00:29:33,742 and send portions to whoever has nothing prepared.' 453 00:29:33,954 --> 00:29:36,009 For the day is holy to our sovereign. 454 00:29:36,009 --> 00:29:40,610 Do not be sad, for your rejoicing in God is the source of your strength. 455 00:29:41,042 --> 00:29:44,315 And then all the people went and ate and drank and sent portions 456 00:29:44,315 --> 00:29:48,848 and made great merriment. You would never think this is a description of Rosh Hashanah. 457 00:29:48,848 --> 00:29:53,091 You'd think it was Purim, for they understood the things that they were told. 458 00:29:53,091 --> 00:29:57,775 You know, we quote the Mishnah in Ta'anit about the fifteenth of Av to show 459 00:29:57,835 --> 00:30:01,387 how the daughters got back. But what the Mishnah really says is there 460 00:30:01,387 --> 00:30:04,059 are two times of the year that are the happiest. 461 00:30:04,059 --> 00:30:07,542 One is the fifteenth of Av, but Yom Kippur is the other. 462 00:30:07,786 --> 00:30:10,689 Again, most people would not associate that. 463 00:30:10,689 --> 00:30:14,812 And I think what I'd like to finish on is how does that resonate with 464 00:30:14,812 --> 00:30:17,665 you and your experience with your congregation? 465 00:30:17,665 --> 00:30:23,320 you know, many congregations finish Yom Kippur and they're dancing the hora, 466 00:30:23,320 --> 00:30:25,542 and there's this sense, I think, 467 00:30:25,542 --> 00:30:29,285 of we survive judgment. But I think this is more than that. 468 00:30:29,285 --> 00:30:34,290 This is really about the fact that Hit'oreri Hit'oreri. 469 00:30:34,560 --> 00:30:38,112 It's God who's asking us to rise up and in rejoice. 470 00:30:38,112 --> 00:30:42,424 The way I'm gonna focus this year is when I say my Rosh Hashanah prayers, 471 00:30:42,424 --> 00:30:45,916 I'm gonna say, How would it sound if it was Friday night and 472 00:30:45,916 --> 00:30:48,517 I was standing welcoming the Shabbat bride? 473 00:30:48,517 --> 00:30:50,738 That's my takeaway this year. 474 00:30:50,744 --> 00:30:52,855 That's fantastic. I add one word, 475 00:30:52,855 --> 00:30:56,216 and that is happiness and the sense of confidence. 476 00:30:56,216 --> 00:30:58,507 You know, you stand up to judgment. 477 00:30:58,507 --> 00:31:00,978 Someone who goes before a judge, 478 00:31:00,978 --> 00:31:05,400 you could either be insecure or you could be confident that you're gonna win. 479 00:31:05,400 --> 00:31:07,140 And we all know that, you know, 480 00:31:07,140 --> 00:31:11,803 the judge can read you. And sometimes when he sees insecurity, 481 00:31:11,803 --> 00:31:15,584 he or she sees insecurity, so they play on that insecurity. 482 00:31:15,584 --> 00:31:18,649 But if they see confidence, if you're confident, 483 00:31:18,649 --> 00:31:20,096 then they believe that you're right. 484 00:31:20,406 --> 00:31:25,289 And that's the way I always understood the the verses in Nehemiah. 485 00:31:25,289 --> 00:31:30,033 Be confident means you know you may have sinned when nobody's perfect, 486 00:31:30,033 --> 00:31:33,235 but be confident that God is gonna be good to us. 487 00:31:33,235 --> 00:31:35,496 And if we're confident, then we're happy. 488 00:31:35,496 --> 00:31:39,599 Because the confidence leads to a confidence that God is gonna forgive us. 489 00:31:39,599 --> 00:31:42,561 So I agree with you that idea Friday night. 490 00:31:42,561 --> 00:31:45,814 I'm not sure that on Shabbat it's so much confidence. 491 00:31:45,814 --> 00:31:49,056 I think on Shabbat it's more in a sense of bride and groom. 492 00:31:49,398 --> 00:31:52,483 I think on Rosh Hashanah, in addition to that, 493 00:31:52,483 --> 00:31:57,883 we have a feeling or we kind of a charge that we should be confident that things 494 00:31:57,883 --> 00:31:58,883 are going to work out. 495 00:31:59,402 --> 00:32:04,617 I, I love it. the only tweak that I would make is I think you wanna have GIVE 496 00:32:04,617 --> 00:32:08,480 confidence, meaning to say that on Friday night after a tough week 497 00:32:08,480 --> 00:32:10,171 of being battered and bruised, 498 00:32:10,171 --> 00:32:14,035 you have confidence like a bride does that her husband loves her. 499 00:32:14,035 --> 00:32:17,738 And I think that's the idea here that you get 500 00:32:17,902 --> 00:32:23,762 confidence from the very exercise and liturgy and 501 00:32:23,885 --> 00:32:25,925 the holiness and happiness of the day. 502 00:32:25,925 --> 00:32:30,227 But either way, it's a very refreshing message, 503 00:32:30,227 --> 00:32:33,229 which it should be because it starts with Hit'oreri, 504 00:32:33,229 --> 00:32:36,300 Hit'oreri, wake up, wake up and be refreshed. 505 00:32:36,738 --> 00:32:41,560 Fantastic. Okay, great. So the haftarah plays on the images, 506 00:32:41,560 --> 00:32:45,562 is borrowed by Shlomo Alkabetz for Shabbat, 507 00:32:45,562 --> 00:32:50,765 and now we take it one step further that it really is a lead-in 508 00:32:50,865 --> 00:32:52,896 to Rosh Hashanah and Yom Kippur. I love 509 00:32:54,070 --> 00:32:56,044 Amen. Well, we'll see you all next week, 510 00:32:56,044 --> 00:32:57,938 Rabbi. Have a safe trip back from Israel. 511 00:32:57,944 --> 00:33:01,182 See you back in North America looking forward. 512 00:33:02,132 --> 00:33:03,827 Okay, Shabbat shalom. Bye-bye. 513 00:33:07,714 --> 00:33:13,349 And now a question for you. What if we modeled the high holiday services 514 00:33:13,349 --> 00:33:16,341 on Kabbalat Shabbat? Not only in joy, 515 00:33:16,341 --> 00:33:20,344 song, and celebration, but also in length! 516 00:33:20,344 --> 00:33:22,036 Something to think about. 517 00:33:27,960 --> 00:33:28,960 Yeah.



